Hi onekgguy,
I've pulled some screen-shots from your video for discussion purposes:
starting with the finish(#1), then recovery (##2-4), the catch (#5) and the drive (##6-8).
I don't know if you're thinking about rowing as "pulling the handle", but it looks as though that might be the case. I'd like you to start from a different perspective. Think about it as pushing the rowing machine away from you with your legs with high torque (that's at least some of what the 70% legs or 80% or 90% legs comments are getting at). Before you can push that hard, you'll need to brace your body to be able to push against it and your back will need to be stable and not move while you're pushing, or otherwise the effort you're making will not move the chain. Since you want to transmit all of the power you can into the chain, you'll want to "hang off the chain" and maintain a stable linkage with your back and arms.
Here are some diagrams I did for myself (I seem to be missing the "finish one"--sorry) when I was trying to sort technique out which might help you (you can see larger versions of these by clicking on them):
Here's a link to an "
Flip Luisi's animated tutorial using a similar stick figure" which is well regarded. And here is a link to an annimation of "
Xeno Muller's stroke cycle." Xeno's stroke cycle is helpful because you can either click your way through it, using the "arrow keys" on your keyboard to examine various facets of the stroke--or you can hold an arrow key down and watch the annimation at full speed.
With those resources, I'll make a few observations about your body position. Note that you won’t want to try to think about all of this at the same time, but they will be useful things to notice as you review the two animations and my diagrams.
1. Sit on your “sitz bones” on the front half of the seat. I see (##1-2) that you’re sitting toward the back of the seat, with your pelvis “tucked under.” This means that in order to reach forward, you’re pivoting forward from the top of your pelvis (which almost has you in the top position in a crunch. Contracted abs and extended lower back which may make your back vulnerable to injury).
2. Your back and arms are the connection between your leg drive and the flywheel. Their role (during the leg drive) is to be a stable connection—you shouldn’t be swinging the back or pulling on the arms during the leg drive. If you do either (swing or pull—see #6), you will be limiting the force the leg drive can put into the flywheel to what the arms & back can do/hold.
2. Sit “tall”—raise your collar bone and drop and relax your shoulders. Your torso should be strong, stable and supported by your abs & your lats. Your shoulders should be supported against the drive by your lats, but if you have your shoulders raised, your lats can't help you withstand the leg drive. If the image is helpful, think about the posture of a top-notch ballet dancer—balanced, graceful and able to move in any direction. Your ears should be as far away from your shoulders as you can get them.
3. Pivot from the hip (where your thighbone inserts into your hip)—instead of from the top of the pelvis/lower back. When you pivot from the lower back, you're using your abs and extending your lower back muscles. Instead use your abs & lats (both!) to stabilize your torso and your hip flexors to hold your stable torso against the leg drive.
4. When the leg drive is nearly exhausted is the time to open the back, and when the back swing is nearly exhausted is the time to “pull” with the arms. Both the back swing and the arm pull portions of the drive are much, much shorter than the leg drive. (You shouldn't have a position during the drive like ##6-7 you're opening your back & pulling with your arms before you've finished your leg drive.)
5. Don’t pull with your shoulders (see ##1 and 6 and the tension in your shoulders). Keep your shoulders relaxed, your forearms parallel with the floor, your elbows close to your ribs and use your think of using your back (lats) to move your elbows (and thus your forearms and the handle) behind you—you’ll end up w/ the handle against your sternum. Don't let your elbows "wing" out (see #1-3 & 8).
6. Make “hooks” of your hands (the thumb can be below the handle, but doesn’t need to grip it at all!) and try to keep your hands/forearms (relatively) relaxed. You should be able to wiggle your fingers on the recovery. Your wrist, and the top of your hand should be flat and aligned with your forearm. You’re gripping the handle too tightly (I can see the muscle tension in your forearms).
7. Don’t think of the finish as a time to pause…your hands should move back out with the same speed they came in. Let your hands lead your arms back to a full extension. And your extended arms should lead your tall-stable-torso forward.
8. Once your extended arms have cleared your knees, pivoting from the hip, your torso should angle forward as you move toward the catch position. By contrast, see #4 in your recovery.
9. The catch angle (of your torso to the rail), once attained during the recovery, will be maintained until late in the drive when you’ve expended your leg drive. You will need to hold that angle against the pressure of the leg drive.
10. As you move into the catch, your shin should come close to but not past vertical. You can allow your heel to rise as needed to get you into that vertical position. You’ll begin the drive by moving your heels down and forward forcefully.
HTH,
Alissa